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A work in three dramatic steps by Puccini's theatrical genius, which goes from the cloudy verismo of a crime of passion with a gruesome variation (Il tabarro), through the suicide of a particular mother from despair (Suor Angelica), and to the sarcasm of the most exciting will forgery (Gianni Schicchi).

The New York Times presents the Teatro alla Scala’s opening performance
The La Scala opening performance goes global.
Nardello: “We possess a huge asset: Music”.